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Cover image for the Paperback format of And The Show Went On

And The Show Went On

ISBN 9780715643105 Published 21 June 2012
£12.99

In June 1940, Paris fell to the Nazis who made the world's cultural capital their favourite entertainment ground. Music halls and cabarets thrived during the occupation, providing plenty of work for actors, singers and musicians except for the Jews. The likes of Maurice Chevalier and Edith Piaf, who had entertained the French troops, now unabashedly provided amusement to the Germans.

After the invasion of France, those artists still in Paris had to find ways to survive. Although Matisse and others kept out of view, Picasso could not avoid Nazi visitors. A few, like Beckett, joined the Resistance. Some were arrested and died in German hands. Others entertained the enemy. The theatres reopened, the movie cameras rolled, galleries sold paintings looted from Jewish families, pro-German writers and their rivals fought in print. Told through the experiences of renowned creative figures and witnesses of the times, And the Show Went On is an authoritative account of how Paris's artistic world lived through the Occupation during which some suffered Nazi oppression while others prospered through collaboration.

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Pre-order: charged now, published 24 March 2011. Print is despatched on publication; ebooks are ready to download that morning.

Pre-order: charged now, published 24 March 2011. Print is despatched on publication; ebooks are ready to download that morning.

Book details
Format
Paperback
ISBN
9780715643105
Published
21 June 2012
Pages
432
Dimensions
129 x 198 mm
Genre
History
Imprint
Duckworth

Reviews

'A superbly fair-minded, well-researched, well-written and nuanced investigation into the greyest of all the moral grey areas of twentieth century history' 

Andrew Roberts

'Fascinating... elaborate characters leap off almost ever page. A serious piece of scholarship, but one that reads like a novel' 

Observer

'Underpinned by meticulous research… built on the premise that intellectuals have special responsibilities, especially in difficult times, and [Alan Riding] skilfully engages with the complexities of the period… he neither falls into moral relativism nor indulges in accusatory finger-pointing'

TLS

'Certainly one of the finest works of serious popular history' 

The Washington Post

'Nazi-occupied Paris is brought to life in this meticulous chronicle of writers, dancers, filmmakers, theatrical producers and others' 

The New Yorker

About the author

Alan Riding

Alan Riding

Alan Riding trained as an economist and lawyer before joining Reuters, the Financial Times and then The New York Times, reporting from Mexico, Brazil, Rome and finally Paris for twelve years as European Cultural Correspondent. 

Everything by Alan Riding

Books by Alan Riding